Camilla Bahnsen is a Danish multidisciplinary artist based in Copenhagen and Oslo who works with themes surrounding feminine and queer identity, occultism, lost youth and liberation from patriarchal power structures. Drawing on the shadow and the history of witches and female labour, she creates ambient, destabilising and symbolically charged environments, avatars and amulets that are characterised by a sense of curiosity, protection and resistance. Her latest research investigates the relationship between childhood imagery, capitalism and desire. She holds an MAA from the Art and Architecture Program at the Royal Danish Academy in Copenhagen (2017) and more recently, she earned a BFA from the Bergen Academy of Art and Design (2024). She will be exhibiting at this year’s Høstutstillingen 2026 in Oslo arranged by Norske Billedkunstnere (NBK).

Julie Barfod is based in Oslo, where she is completing her MFA at the Academy of Fine Art. She previously trained as an architect (MA, Bergen School of Architecture). She often works collaboratively, primarily with performance, immersive installations, text, and sound. Her recent work explores the material and social dimensions of reproductive labor, drawing connections between the private, the erotic, the political, and the cosmic.

Catriona Beckett from Glasgow, Scotland, works at the intersection of two modes of creativity: process based image making and performative event making. She creates paintings, drawings, and collages that explore form through deliberate simplicity and automatic gesture. Surface, colour, and medium act as agents within the work. Her performance practice serves as a speculative lens on painting and its critical discourse, extending thematic concerns into surreal, informative narratives.

She is currently attending the MFA program in Fine Arts at the Academy of Fine Art, Oslo National Academy of the Arts and holds a BFA in Art and Philosophy from Duncan of Jordanstone College of Art and Design.

Joanna Blanckaert is a Belgian artist living in Oslo. She expands her practice through deconstruction, repetition, and measurement, evolving from painting into installation and text. Slowness becomes a process; her hands a metronome. What was once a painted image can become a structure, a material, or, on another scale, a sentence or a word.

Zida Bruun works with sculpture and installation, continually looking into materialities that serve as records of human behavior. Often by overinterpreting found objects and mimicking everyday structures, her work revolves around the unstable relationship between the self and the objects that surround it.

Alice Darby is an artist based in Oslo orbiting queerness, surrendering to different temporal potentials, to bodies and their embodied realities and the performative potentials of art objects.

Lone Eivindsdottir works with video and text, as well as performative, site-responsive, and social strategies to create time-based and multimedia works. Informed by her background as a dancer, she often uses the body as a conceptual framework, where somatic knowledge is processed to form new choreographic narratives and modes of participation.

Franciska Eliassen addresses ecofeminism, geopolitics, activism, and human–nature relations in her practice. Her feature film "Den siste våren" received widespread international recognition, including prices at the Locarno Film Festival and the Amanda Awards. Franciska was awarded the Nordic Film Prize in 2024. Her short films Søster and Blue Borders – A Letter from Moria premiered at Høstutstillingen in 2019. Another notable work is a hut made of soil and driftwood that she built in the mountains. She lived there for one and a half years, before opening it to the public.

Aljoša Eraković is an artist based in Oslo, working across sculpture, installation, photography, and text.

Anders Hagen is an artist and musician from Hov i Land living in Oslo. His practice explores the ambiguities and uncertaintes of togetherness; juxtaposing it with imperfect solidarities and everyday practices. Working predominantly through sound, installation and text he aims to create sonic spaces for both introspection and proximity.

Moa Hjärtström works with site-specificity through a variety of techniques and mediums and moves between the visual and performing arts. Her work revolves around shared spaces - physical and imaginary ones. Through text, field recordings and a practice of fantasizing she traces poetic bonds between urban planning and our inner landscapes.

Matias Kiil is completing his MFA at the National Academy of Fine Arts in Oslo. His practice explores fractures, intervals, and displacements within social, individual, and political structures through sculpture and installation. Employing language and elements of the everyday, his work stages critical scenarios around social ergonomics and configurations of power. With an interest in structures and architecture as physical and metaphysical frameworks, the work seeks to problematize contemporary systems of value.

Lukas Moland is an Oslo based visual artist working with site specificity through sculpture, installation, film, performance and happenings—using place, presence and cultural references as material for site-specific jokes and compositions.

His engagement with sites revolves around an interest in how identification, whether physical or emotional, with a place happens, and why it at times seems impossible.

He has exhibited in public and very closed off spaces across Norway, Denmark and Iceland. He holds a Bachelor from Kunsthøyskolen in Bergen and Listahogskoli in Reykjavik, and is currently completing his Master degree at Kunstakademiet in Oslo.

Anna Näumann explores the intersections of curatorial work, collaborations and facilitation of relational situations. In recent years, she has worked with listening as a form of response to the times we live in. From 2020 to 2023, she was based in Tromsø/Romssa, where she co-directed the artist-led exhibition space Kurant as well as Open Out Festival, where she now serves as curator and producer. She is one of the co-founders behind the screening collective HÆRK.

Manos Saklas is an artist, researcher and a composer working across contemporary art, radio production, sound composition and performance. His body of work addresses contemporary issues of environment and ecology, migration and diasporic aesthetics - often engaging with artifacts and methodologies drawn from fields as diverse as Greek mythology, acoustic ecology, conceptual art, and audio technologies – underscoring their sociopolitical resonances.

Saklas' work has been featured in a wide range of contexts, including galleries and exhibition spaces, cultural institutions and concert halls, film and fashion, as well as radio and public spaces. His recent exhibitions include: Kairós: Listening Under the Weather (2026), Chronopoetics (2025), and Articulations of Chaos (2024). Since 2020, he has been the artistic director and producer of the monthly radio show Otoliths in Flux as part of Onassis Cultural Center’s Stegi Radio.

Gloriya Talebi is a Swedish-Iranian multidisciplinary artist based in Oslo. Her practice spans across image, object and space, using fragments, everyday aesthetics and pop culture to explore questions of identity and belonging. By moving, borrowing and reinterpreting images and objects across different social and aesthetic contexts, Talebi investigates how meaning can shift and transform.

Carla Wedderkopp is based in Oslo, where she is currently completing an MFA at Oslo National Academy of the Arts. Through expanded installation and performance, she directs living scenographies where the viewer is invited to take an active position in the work. Using composition of sound, text and performative props, she conjures portals where other realities can be accessed and consequently left behind. Wedderkopp has a background in theater with acting, dramatic writing and directing. From 2021-23, she co-managed the artist run space Kurant Visningsrom, and this curatorial experience is still influencing her practice.

Yanina Zaichanka is a Belarusian artist living in Oslo, currently completing an MFA at the Academy of Fine Art, Oslo National Academy of the Arts. Their practice explores family history in relation to broader historical and political processes, attending to collective trauma alongside more private, lived experience. Working across textile media, drawing, and performance, Zaichanka emphasises the durational qualities of these modes of expression.