Foragers depicts the dramas around the practice of foraging for wild edible plants in Palestine/Israel with wry humor and a meditative pace. Shot in the Golan Heights, the Galilee and Jerusalem, it moves between fiction, documentary and archival footage to portray the impact of Israeli nature protection laws on these customs. The restrictions prohibit the collection of the artichoke-like ’akkoub and za’atar (thyme), and have resulted in fines and trials for hundreds caught collecting these native plants. For Palestinians, these laws constitute an ecological veil for legislation that further alienates them from their land while Israeli state representatives insist on their scientific expertise and duty to protect.

Following the plants from the wild to the kitchen, from the chases between the foragers and the nature patrol, to courtroom defenses, Foragers captures the inherited love, joy and knowledge in these traditions alongside their resilience to the prohibitive law. By reframing the terms and constraints of preservation, the film raises questions around the politics of extinction, namely who determines what is made extinct and what gets to live on.

Jumana Manna (b. 1987) is a visual artist and filmmaker. Her work explores how power is articulated, focusing on the body, land and materiality in relation to colonial inheritances and histories of place. Through sculpture, filmmaking, and occasional writing, Manna deals with the paradoxes of preservation practices, particularly within the fields of archaeology, agriculture and law. Her practice considers the tension between the modernist traditions of categorisation and conservation and the unruly potential of ruination as an integral part of life and its regeneration. Jumana was raised in Jerusalem and lives in Berlin.

Mira Adoumier (b. 1985, New York) is a Lebanese/French filmmaker living in Amsterdam. With an initial background in Psychology, Philosophy and Biology, she later on completed a degree in Film Production at the Mel Hoppenheim School of Cinema (Concordia University, Montreal). Through her work with fictional short films and film essays, she explores characters living at the margins of in-between worlds, while also experimenting with the formal aspect of the image. Her first feature film Errans premiered at CPH:DOX 2020 in the next:wave competition.

In her new podcast series Vakkert arbeid, filmmaker Marte Vold talks to eight of her colleagues about their work. Click here to listen to the episode with Jumana Manna.