No Master Territories

Bridging the fields of documentary and experimental film and video, No Master Territories offers an expansive, intersectional account of underappreciated encounters between feminism and the moving image. Across a polycentric, global geography, it maps how artists and filmmakers have explored the nexus of gender and power and charts sites at which feminism connects to other struggles for justice. By revisiting the period of the 1970s to 1990s, it aims both to pay homage to the important work that has come before and to respond to the urgencies of the present.
With contributions from
Peggy Ahwesh, Claudia von Alemann, Helena Amiradzibi, Anne Siri Bryhni/Laila Mikkelsen, Gloria Camiruaga, Grupo Chaski, Sara Gómez, Barbara Hammer, Han Ok-hee, Mona Hatoum, Anne Haugsgjerd, Rut Hillarp, Lisbeth Dehn Holgersen, Ana Victoria Jiménez, Mark Karbusicky/Mirha-Soleil Ross, Inghild Karlsen, Sandra Lahire, Inge-Lise Langfeldt, Robin Laurie/Margot Nash, Tuija Linström, Vibeke Løkkeberg, Nalini Malani, Helke Misselwitz, Tracey Moffatt, Gunvor Nelson/Dorothy Wiley, Gwendolyn, Newsreel (Bev Grant and Karen Mitnick Liptak), Ulrike Ottinger, Paper Tiger Television, Letícia Parente, Alice Anne Parker (Severson), Vibeke Pedersen, Jocelyne Saab, Claudia Schillinger, Gundula Schulze, Milica Tomić, Abisag Tüllmann, Agnès Varda, Joyce Wieland.
Curated by Erika Balsom with Silja Espolin Johnson and Clemens Ottenhausen, No Master Territories is a new edition of an exhibition previously presented at the Haus der Kulturen der Welt in Berlin in 2022 and The Museum of Modern Art in Warsaw in 2023, by Erika Balsom and Hila Peleg.
Supported by
The edition at Kunstnernes Hus is supported by Fritt Ord, Nordic Culture Fund, Sparebankstiftelsen DNB, Bergesenstiftelsen, Alcro and Tonwelt.
The side program for the exhibition is supported by Nordic Culture Fund, Human International Documentary Film Festival, Oslo Dokumentarkino and Goethe-Institut Norway and the National Library.


