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Open today 11-17 (Restaurant 11-23)

What happens between art making & critical thought?

What happens between art making critical thought26

What happens between theory and practice? A creative practitioner picks up a book at their favourite library and reads it at home. In another time and space, the creative practitioners work in their studio to make pieces about our political realities.

This conversation will be dedicated to detailing the inner workings and goings-on behind what the critical creative practitioner does. It is both a message about aligning what we do in practice with what we value in theory, and a message about prioritising embodied, felt knowledge that the racialised practitioner carries, while the theorist, curator, critic, and historian are traditionally sought out for sense-making and knowledge production.

The event will include an open discussion with the audience and will open and close with a reading from the book.

This event is part of an international tour of Diatta's forthcoming book, Doing Creative Work From Your Political Body: A Guide and Process for Practice-led Research.

Contributors

C. Grace Chang is an artist, curator, researcher, and filmmaker based in Malmö, Sweden. Born and raised in New Jersey, she is a Fourth Culture Kid whose practice explores liminality, diaspora, and world-making beyond the colonial gaze. Working across moving image (VR, film), sound, and immersive installation, she combines decolonial theory with embodied experience to examine visual safe havens, coded power structures, memory, grief, care, and refusal as a starting point. Her work is both research-driven and affective, often employing bright colour, speculative aesthetics, and fantastical elements to imagine alternative presents and futures. Alongside her artistic practice, she has worked extensively as a curator (Skånes konstförening), educator (The Royal Danish Academy of Fine Arts), and organizer (Konst Detox), and holds M.A.s in Literature, Culture & Media and Visual Culture from Lund University.

Dr. Myriam D. Diatta is an independent researcher and designer. She's a specialist in the private, interior, behind-the-scenes aspects of doing political and creative work. Myriam has been studying, teaching, mentoring, publishing, and working as a designer across industries for nearly 20 years—since 2006. She just published a new book with Set Margins', titled Doing Creative Work From Your Political Body: A Guide and Process for Practice-led Research. In it, is a framework, a demonstration, and a hands-on guide for studying the inner workings of your own political practice.

Flexi Aukan is a socially engaged multimedia artist with roots from Chile, raised in Hauketo and Oslo South. He works mainly with music, self-publishing and visual arts. Aukan holds a bachelor's degree in graphic design and illustration and is currently doing his Master’s Art in Public Space at Oslo National Academy of the Arts. His art practice is a tool he uses to process and communicate his experiences from his marginalised suburb, heritage and history as an exiled Chilean diaspora child, as well as his political beliefs and principles.

Apichaya (Piya) Wanthiang holds a BA from Sint-Lukas, Brussels and an MA in Fine Arts from Bergen Academy of Art and Design (KHiB). Piya constructs environments in order to study how they influence our perceptions, behaviours and interactions. She works mainly with painting and installations comprising light, sound and text. With her work she aims to address the audience’s bodies directly, activating somatic knowledge through different senses in attempt to balance out the primacy of sight and cognition. Piya has exhibited widely in Norway. She has had solo exhibitions at the Munch Museum (Oslo, Norway), Kristiansand Kunsthall (Kirstiansand, Norway) and Storage (Bangkok, Thailand). In 2026 she will have solo exhibitions at the Vigeland Museum (Oslo, Norway) and at Artipelag (Stockholm, Sweden). She worked part time as Assistant Professor at Trondheim Academy of Fine Art and the Faculty of Fine Art, Music and Design (KMD) in Bergen. She has been on the board of LNM, the Norwegian Painters Association and of UKS, The Young Artists’ Society.

See also