Mawda Shawri, two years old in 2018, daughter of Phrast and Shamden, sister of Hama, was shot dead by a Belgian police officer during a migration border control on a central highway. In 2023, over 40 people, both undocumented and documented resident activists, assembled before the camera at La Voix des sans papiers in Brussels to stage a collective hearing of documents from and reactions to Mawda’s case. A ghostly haunting is acknowledged, caused by police impunity and lack of accountability of the state. In their refusal of such a shortage of truth and human rights the activists feel the need to explore beyond the official narratives. They produce the counter-evidence of this deadly crossing, and they practice justice as a sensuous social space for collective mourning and healing. Faced with the inability to proceed within the dominant frameworks, this hearing challenges what is visible and audible, foregrounding the opaque and the poetic.

As a visual artist and filmmaker, Robin Vanbesien explores modes of embodied knowledge and collective imagination engaged in social and political struggles. Through the notion of ciné place-making, he acknowledges the capacity of cinema to preserve, reclaim, or redistribute invisibilized memories, histories, and lived cultures, using a cinematic language that probes beyond the prevalent scenes of representation. He collaborates with situated emancipatory grassroots movements, exploring cinema as a space for social gathering and political engagement that rehearses the capacity to hold space collectively. In 2020, Vanbesien co-founded The Post Film Collective, which explores cinema as a form of speculative rehearsal and communal assembly. 'Under These Words (Solidarity Athens 2016)' (2017) and 'the wasp and the weather' (2019) premiered at transmediale and Cinéma du Réel. His first feature ‘hold on to her’ had its world premiere at Berlinale Forum Expanded (2024).