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This is Our Body

By Hanan Benammar
Wednesday 18.09.24
Hanan00 copy

We are pleased to invite you to the screening of This is Our Body – a powerful, collective performance that explores the colonial legacy of Hans Egede. The performance marks the 300th anniversary of Egede's arrival in Kalaallit Nunaat/Greenland in 1721.

The film is a documentation of a performance presented at AMIFF (Arctic Moving Image & Film Festival) in Harstad in 2021.

About the project

Hans Egede was born and raised in Hárstták/Harstad, Norway. In Norway, he is still recognized as both a fearless adventurer and a man of wisdom. One of the churches in Harstad's town center is dedicated to him, with a statue by Nic Schiøll installed outside the church. Another sculpture of Egede can be found outside the old Deichman Library in Oslo, and a third outside Kabelvåg Church.

At the same time, Egede's offenses against the Indigenous population are well-documented. It has been noted that he prohibited several local traditions among the Inuit, such as tattooing, shamanism, and throat singing.

The performance took place in Trondenes Church in 2021, where Hans Egede was baptized.

Can art facilitate a space for dialogue and healing while confronting serious core issues? Is it possible to create rituals based on a legacy of conflict? The challenge is to strengthen collective awareness of our shared violent history. In doing so, we lay the foundation for a common ground, creating space for exchange and critique.

Supported by: AMIFF, Arts Council Norway, Fritt Ord, OCA, Atelier Nord, and the Embassy of Canada in Oslo.

*Dette er vår kropp* was a commissioned work for the Arctic Moving Image & Film Festival - AMIFF, Harstad, October 2021.

About the artist

Hanan Benammar (1989) is a French-Algerian artist currently living and working in Oslo. She pursued her education in France at Rueil-Malmaison school of fine-arts (BFA), Oslo National Academy of the Arts (MFA), the Dutch Art Institute (MFA), and the Royal Institute of Art in Stockholm (post-master). Hanan Benammar’s practice is characterised by a conceptual exploration of geopolitical, societal, and environmental issues. She employs a variety of mediums, including sound, music and video, as well as recording and archiving strategies. Her practice embraces sculpture, installation, performance and ephemeral situation in public space.

Benammar’s work has been exhibited and performed at National Museum of Norway (Oslo, Norway), Radikal Unsichtbar – Centre for Collective Learning and Radical Listening (Hamburg), Hordaland Art Center (Bergen, Norway), Bildmuseet (Umeå, Sweden), Kunsthalle Charlottenborg (Copenhagen, Denmark), Edge of Wrong Festival (Cape Town, South Africa) among more. Benammar’s work is also part of the Norwegian National Museum’s collection, KORO - Public Art Norway’s collection, The City of Oslo Art Collection and several private collections.

See also