Just 34 days before Theranos founder Elizabeth Holmes is set to begin her 11-year prison sentence for fraud, she allows a film crew into her private home. What starts as a seemingly unfiltered look into her final weeks of freedom quickly evolves into a three-year project where the lines between reality, manipulation, and direction are entirely blurred.

With Nathan Fielder’s signature eye for the uncomfortably human and Lance Oppenheim’s distinctive visual approach to non-fiction filmmaking, an intense cat-and-mouse game emerges. Who is actually controlling the narrative—the documentary filmmakers or the woman who built one of the world's biggest deceptions?

You Can See Everything offers no easy answers, forcing us to question everything we see. The film delivers an uncompromising look at how stories are constructed, standing out as one of the decade's most striking cinematic experiments.